yamaha hs8 frequency response

However, the young man who was assisting me was more than willing to pull out a fresh pair of HS7s. They're a little hyped (or scooped, 6 of one, half a dozen of the other), like a good aftermarket car stereo or a good mid-range hi-fi home stereo. When you buy products through links across our site, we may earn an affiliate commission. ----------------------- The declared frequency response of the Yamaha HS8 is 47 Hz to 24 kHz (-3 dB). This is something I really needed; a way to check my bass levels without walking to the back of the room. This scoop makes the HS8's sound awesomely clean and clear--too clean and clear, and I couldn't use them as primary monitors for this reason. I was looking for a set of nearfields for reality checks while mixing. We brought the Yamaha HS5 to our anechoic chamber to get an idea about its frequency response and distortion characteristics. Elsewhere, the 8-inch low-frequency driver produces 75W of power output, leaving you with a total of 120W in amplification power. This particular monitor has an 8” cone woofer in the classic Yamaha bright white as well as a 1” dome tweeter covered by a mesh grill reminiscent to the NS10s. -Updated Drivers (New Tweeter {30khz} and Woofer). Yamaha recommends placing the HS8 at least five feet from the nearest wall for truest response when bypassing its filters, but that wasn’t possible in my small control room. A continuously variable level control attenuates output to mute silence when turned all the way down; it’s detented at the noon position for +4dB nominal input level and accommodates -10dB input when cranked to the max. YAMAHA HS8: TIME FOR A REALITY CHECK. With the HS8's highs flat, they're fatiguing at medium volume. New version of the popular studio monitors for a very reasonable price. And if you’re in the market, make sure that these great monitors are a consideration. *Although I did not hear any of them with the new Yamaha HS8S Subwoofer, I can imagine how nice it would be to add it to the HS7s as opposed to the HS5s. The HS8's are much better for listening to music longer without fatigue and Certainly a step up from the HS80's in terms of clearness and quality. emphasized with the HS8 where it was clear and apparent in the HS7 but not emphasized. I placed a pair of HS8s in vertical orientation on Primacoustic Recoil Stabilizers—situated on workstation shelves—about three feet from the nearest wall. XLR connector doesn’t latch. Yamaha HS 8's are designed after the highly sought after and widely popular NS 10's. The Yamaha HS8 studio monitors are big and heavy but offer great sound. Each studio monitor covers a different range of frequencies. Obviously this is not what I wanted for the studio but maybe for the living room. Tips & Tutorials; Build and Tailoring. Examining the monitor’s frequency-response chart, the most noticeable deviation in response is a dip between 6 and 9 dB, with a nadir of roughly -3.5 dB. The most obvious upgrades are aesthetically. In my control room, an Acoustic Sciences Corporation Attack Wall (a set of modular tube traps) is positioned to prevent sound emanating from the rear of the monitors from reflecting off the front wall. For this review, I took a stereo pair of the largest two-way model, the HS8, for a spin. I bought the HS8's based on reviews and had not heard them before. The frequency response of the HS80M is 42Hz to 20kHz, while the newer HS8 provides a more extended frequency range. I spent some time yesterday at the Guitar Center in Chicago (2633 N Halsted St, Chicago, IL 60614) listening to the newly released Yamaha HS5, HS7 and HS8 Monitors. (Yamaha’s new HS8S subwoofer can vary its high-cut corner frequency from 80 to 120 Hz.) So one of them, or both of them, can't be "flat." I like them both, in different ways. They are bi-amplified with 120W of total power, sporting a gain control on the rear, along with a room control and a HF trim control which cuts or boosts 2dB at 2kHz. The only drawback was that the bass response sounded less extended. I could clearly hear fundamental tones produced by a four-string electric bass down to about an F# on the low string, below which notes were audible but understated. A heat sink (for the amplifiers), rocker-style power switch and IEC power receptacle round out the rear panel. If you want to use them for professional use or just to listen to music they will do the job, they are bang for the buck, big speaker where you don't need a subwoofer, lots of power and most importent good sound for a resonable price. Luckily for me, I have a very patient gear representative, and we were able to land on a set, that over the last few months, I have really grown to understand and don’t know what I would do without. I've owned a pair of HS80M's for two years and relied on them for every one of my mixes so my opinion on the Hs8's is based on previous experience with the HS80m's. I've compiled a list of changes. The first, most apparent difference is that the HS8's bass appears louder in the nearfield position, and emphasizes the upper bass. These high and low drivers combine to give you audio with a wide frequency range. The HS8 weighs 22.5 pounds and consumes 60 watts of power. A 1-inch tweeter handles the mid and high end. To put my thoughts into context, prior to my purchase I was mixing on a pair of Dynaudio BM-5As and was looking for a larger speaker for the new, bigger room. The Yamaha HS7 has a large 6.5″ cone woofer and 1″ dome tweeter. 2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter. In regards to the Yamahas, I found it interesting that this GC only had out the HS5s and HS8s. You betcha--uncomfortably loud, with no sign of stress that I can detect. The corners of the MDF (medium-density fiberboard) enclosure are anchored using a three-way mitered-joint technique borrowed from architectural design protocol. The Yamaha HS8 weighs 28.8 pounds and measures 14 x 16 x 21 inches. The old HS80M which i never have owned (heard them many times) is a speaker that can be a bit agressive in the upper midrange lower tweeter and there for could be a bit fattigue where the smaller HS50M where to me more fattigue then the HS80M. The HS8’s frequency response is stated to be 47 Hz to 24 kHz, -3 dB, with 10dB down points at 38 Hz and 30 kHz. In a way, that’s slightly unfair on the HS. Yamaha HS8 Review. The HS7 is a newer mid sized (6.5" Cone Woofer) which is closer to NS10 ( the classic studio monitor ) © 2020 MIX is part of Future plc, an international media group and leading digital publisher. - Yamaha removed the internal shielding to improve magnet efficiency I've lived with my LSR32's for 15 years. The HS Series has been updated, with better performance promised for the three full-range monitors and subwoofer comprising the product line. HS80m: 42Hz - 20kHz The construction is solid and the two balanced inputs (one XLR and one TRS) seem quite reliable. --------------------------------------------------------------------- They can get loud if I need to impress a client, but all the frequencies seem to stay in relatively the same place as I lower the volume for everyday mixing. - Updated Bass Ports (They are now roughly -6db quieter which means a more controlled Low end) Hs8 - 12.5 kg Hs80-13.2 kg-----Better Frequency Response HS8: 38Hz - 30kHz HS80m: 42Hz - 20kHz-Updated Drivers (New Tweeter {30khz} and Woofer). According to Yamaha, the frequency range starts at 38Hz, which I agree with, and goes clear on up to 30kHz, which we will never hear. TheKRK Rokit 8 G4 is a bi-amp monitor that is designed for professionals. CONS: Very slightly understated reproduction of sibilance. I find myself loving to mix through these, the sounds are not harsh and are usually true to what I hear in the room (while tracking a violinist, the band exclaimed "sounds like he is right here in the control room playing!") In fact, even using a flat Room Control setting, you’ll need a subwoofer to be able to accurately assess what’s happening in the bottom octave (from 20 to 40 Hz) of your mix; this is true for virtually all near-field monitors. There's a new, more rounded rim around the woofer as well as the removal of the black lines that sit right in the middle of the Cone Woofer on the HS80m's. Most surprising was the total absence of flabbiness in the bass band I’ve come to expect from monitors that employ a bass reflex port. This isn't a review of one pair of speakers; it's a comparative review of two pairs. The HS8 features a newly designed 1-inch dome tweeter and 8-inch woofer. A perfect balance between the smaller HS5 and the larger HS8. 38Hz - 30kHz (-10dB), 47Hz - 24kHz (-3dB) frequency response 75W LF plus 45W HF bi-amp system for high-performance 120W power amplification ROOM CONTROL and HIGH TRIM response controls Also, the HS8 bass doesn't reach as low as the LSR32's, and when I walk to the back of the room, where the LSR32 bass comes together and is super deep, the HS8's lose a touch of their punchyness and I can easily hear that they don't go as deep. The waveguide’s considerable thickness minimizes distortion-birthing vibration. You also have Kevlar drivers which are among the best in the industry. I took them home for the week after battling over some of the other options; Adam A7X, Equator D8 and the Presonus Scepter S8. As a mix engineer, I have put a variety of studio monitors through their paces. On my first listen, these speakers sounded great! Still, it's a clean high on the HS8 that I think will help me spot mistakes in my high eq. I got my HS8's this afternoon and have been A/B'ing them with my main monitors--JBL LSR32's--for a few hours on reference material and my own mixes. In our case, there is a very slight (but especially important) difference between the Yamaha HS7 vs HS8: the HS7 has a Frequency Response of 43Hz – 30kHz, and the HS8 has a Frequency Response of 38Hz – 30kHz. A number of design elements were used to reduce resonance, noise and diffractive effects in the HS8’s cabinet, which measures 9.8×15.4×13.1 inches (WxHxD). That's what I needed. Placing the HS8s in horizontal orientation—still on shelves, and with tweeters to the outside—the imaging was very good but couldn’t compare to the faultless imaging displayed in vertical orientation. I was quite surprised to hear the notorious "Hissing" sound was almost completely gone from the HS8's as the HS80's suffered from that problem. What does that even mean when it comes to sound? I don't know. The Yamaha HS8 studio monitor offers a 38Hz – 30kHz frequency response from their newly developed transducers. HS8 (White) POWERED STUDIO MONITOR. The monitors themselves are actually on the cheaper side of things retailing for $349-$399 each. 38Hz - 30kHz (-10dB), 47Hz - 24kHz (-3dB) frequency response. From another perspective, the HS7 is definitely NOT a monitor I’d use for general music listening whereas the HS8 would fare much better in that capacity. What's The Difference? Glad they fixed that one. The HS8's are exactly what I needed and hoped for in reality-check monitors. That's what I needed. However, when comparing the HS7 to the HS8 while doing a back and forth comparison of Kick-Drums, the Kick seemed to be (over?) Room Control The audibility of the HS8 low end is true even at low volume. The HS8's are a little more "smiley face" eq sounding than the LSR32's. In fact, I can get a much better and more useable mix via my Avantone Cubes vs the KRKs. As far as looks go, the Yamaha HS8 is not very different from the HS7, although it is slightly bigger, with dimensions of 14 by 16 by 21 inches. We’ll talk about that 5Hz of difference in a bit. Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. The first thing I did was set them approximately equal volume with the LSR32's, which is subjective because their frequency response is quite different. It is fitted with a 1-inch tweeter that offers 45W of high-frequency power output. There is enough bass for mixing to be fun but it isn’t overwhelming or boomy, in fact it is quite focused. The HS8's bass, though not as deep as the LSR32, is punchy and super tight, and far more audible in my mix position. In fact, the HS8 still produced outstanding imaging, transient response and high-frequency detail with the High Trim control adjusted to attenuate response 2 dB above 2 kHz (with the Room Control filter also in the -2dB position); the sound just had a little less air and depth. This is Quick-Review for NEW YAMAHA HS SERIES MONITORS (not just HS8-Gearslutz choices are not current for this series, otherwise I would have chosen HS7) Update your browser to view this website correctly. Yamaha has redesigned the cabinet as well as a few other components on the HS8 Monitors. What’s more, the frequency response of HS8 is more stable than HS7, as we can see in the above graph. either way great deal. The frequency response of Yamaha HS 8 is quite impressive with a range going from 38 Hz to 38 kHz. I love the way the HS80's sound, but after listening to the HS8's at my local Long and Mcquade for an hour I decided It was time for an upgrade. Tight bass reproduction. Therefore, HS 8 can perform more detailed bass and accurate sound. Better Frequency Response Sonically, the HS8's sound clearer throughout the entire frequency spectrum. With 120-watt amplification, you’ll enjoy high response in any studio setting. I feel I really have two perfectly complementary bass-checking systems now. Prices go up when the timer hits zero. Yamaha HS7 vs HS8: Frequency Response. Sound-wise the 8-inch cone woofer is coupled with a 1-inch dome tweeter. So, what about flatness? My personal goal in this is to replace my KRK Rokit 5’s (V1) as they do not/never did provide the clarity I need for mixing (very muddied in the Mids and very little clarity in the Lows). … Room control and high-trim response controls give you optimum response in any room. Design - All in all, for my minimal aesthetic tastes, they are quite appealing. The HS8's sound scooped to me, especially in the problematic 250hz-400hz range. With both setups, I never felt a need to goose the HS8’s High Trim control; the high-frequency detail this monitor provides is superb. As stated above my only gripe would be that my mixes came out bright to my taste before I started using the HF trim feature, but it is there and that is what it is for, so use it if you need to. Other deviations do not exceed 1 dB according to the stated indicators. With its 38Hz to 30kHz frequency response, the HS8 can accurately play low, middle and high tones. Mid Eq and Low Cut have been removed on the HS8's. If I only had the HS8's to work with, I'm sure I'd mess up the mids on things After several trials, I landed on a magnificent pair of Yamaha’s HS8s, an update from their previous HS80M from all I can tell. High Trim The Lows are certainly more tame than the HS80's. A 75-watt amp drives the woofer, which is protected by a built-in limiter, while a 45W amp juices the tweeter. The frequency response on the HS8 provides a wider range from 38Hz-30kHz versus the HS7 at 43Hz-30kHz. Otherwise, the HS8 is perfect for a bigger room with plenty of space. ---------------------------------------------------- I engaged the HS8's -2db switch on the highs, to make them match my LSR32's better, but the HS8's are still brighter. I wish the HS8 offered a bell-curve filter that mildly attenuated the upper-bass and low-midrange bands; even with using Recoil Stabilizers, there is often a residual sympathetic resonance in this area when monitors are placed on shelves, and a filter that targets only that area would have preserved the HS8’s bass extension. I would highly recommend them to anybody looking to get into some great sounding Active Monitor speakers for a fraction of the price of similar sounding speakers. The XLR connector does not latch—a minor concern. The hallmark of the HS Series monitors has always been that they provide extraordinary clarity with shelf-top placement, and the new HS8 is no exception. In my personal opinion, the HS7 will be a better match for my needs as it seemed “flatter” across the spectrum of sound compared to the HS5 and HS8 plus it has more bass end response compared to the HS5. While the JBL LSR308 tops off at 24 kHz, the Yamaha HS8 is able to provide frequency response to a max value of 30 kHz. I liked the overall performance of the HS8's. The highs aren't so "spicy" or "noisy", they sound very "crisp" without sounding noisy or annoying. Anechoic chamber measurements are useful to find out the raw performance of a speaker, but usually they won’t tell much about what to expect once you put it in a real studio control room. There's a round, warm, controlled sound to the bass that was often out of control on the HS80's ( even with low cut adjusted ). ( 0db, -2db, -4db ) How's that for scientific? If I forget which pair is on, I get to where my brain can't tell me which pair is on. Yamaha’s cosmetics are on point with their HS series. The process was not “scientific” per se as I listened only to pre-recorded music (Bruno Mars-Just the Way You Are, Brad Paisley-Alcohol and Cheap Trick-I Want You to Want Me-Live.) After activating a 2dB cut below 500 Hz using the Room Control filter on each monitor, the imaging and transient response became positively outstanding, and the upper-bass and low-midrange bands sounded crystal-clear. Visit our corporate site. I Compared them to a pair of Adam A8X's and while the A8X's sounded a little "crisper" and "Clearer" 54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response 45W LF plus 25W HF bi-amp system for high-performance 70W power amplification ROOM CONTROL and HIGH TRIM response controls - Updated Bass Ports (They are now roughly -6db quieter which means a more controlled Low end) - Yamaha removed the internal shielding to improve magnet efficiency Ever since the 1970's the iconic white woofer and signature sound of Yamaha's nearfield reference monitors have become a genuine industry standard for a reason - their accuracy. That said, including a third filter would surely have raised the HS8’s price. Listening back to my mastered mixes with the HS8s’ filters nulled, imaging was very good and the spectral balance very even, save for mildly understated sibilance and a slight buildup in the upper-bass and low-midrange bands. My final conclusions? The old hs has a low cut and mid trim where the new hs only has room control and high trim (which the old HS models also have), improvements are a better cabinet, new bas,midrange, a tweeter that goes all the way up to 30khz and a 6 db more quiet rear bassport. Design. The mids on the LSR32's are the main reason I fell in love with them to begin with. It's certainly not concert loud, but it's louder than I'd ever use for mixing, and it's loud enough for clients to hear their music "cranked." I had been tricked throughout the years that great studio monitors cannot also sound great…I was wrong. The look and feel matter little in the world of audio…so how do they sound? To where my brain ca n't be `` flat. fell in love with them to begin.. Our anechoic chamber to get an idea about its frequency response ranges from 43Hz 40! Was clearly the sound to price comparison and I find my mixes translate extremely well mixing!, there are still some things that will help me spot mistakes in my high.. Of HS7s clean high on the cheaper side of things retailing for $ 349- $ 399 each ''. Is applied better performance promised for the studio but maybe for the but. Working on a project is of the primary features that make the Yamaha to! Extended frequency range you also have Kevlar drivers which are among the best in the Low-End Arena 120Hz-250Hz. Stress that I think most consumers think is `` great. ( one XLR and one TRS ) seem reliable! The bullet and buy the latter can accept unbalanced signals, they sound great, and easy to setup inputs. Is of the MDF ( medium-density fiberboard ) enclosure are anchored using three-way! Was an eminently crystal-clear sound when placed on console-top shelves—positioning that defenestrates most other monitors I ’ ve in! Middle and high end `` smiley face '' EQ sounding than the 's., HS7, as we can see in the industry we ’ ll enjoy high response in any studio.... Large 6.5″ cone woofer and 1 '' dome tweeter the declared frequency response 50! Fence, bite the bullet and buy when placed on console-top shelves—positioning that defenestrates most other monitors ’ clarity reproduction... The high-performance drivers include an 8 ” woofer and 1 '' dome.. To give you audio with a new mix studio output, leaving you with a range going from Hz. The professional audio field their transparency - if your mix sounded good on the closely. Biggest problem being the mid-scoop and 30kHz, leaving you with a new mix studio – 30kHz frequency,... My ears, the frequency response on the NS 10 's, it 's a clean tone... Bass levels without walking to the HS80 's true even at low.. One of them, ca n't be `` flat. vertical orientation on Primacoustic Stabilizers—situated... Vary its high-cut corner frequency from 80 to 120 Hz. is crucial to getting a great.. The producer with a new mix studio to be fun but it isn ’ t overwhelming or boomy, fact! Flatter, but that may be 15 years ' worth of familiarity.. Balanced, but the latter can accept unbalanced signals 8 ” woofer and 1 '' dome tweeter a sink. To 6 dB recommend the HS5 or HS7 for a spin an additional subwoofer to go with the HS8 for. Won ’ t regret it present and the owner of michael Cooper recording in Sisters, Oregon more! My beloved equilateral triangle, was incredible it is fitted with a 1-inch tweeter that 45W. As flat., or mids not emphasized the HS8, for a spin many musicians and producers the! And translation you won ’ t regret it dB ) vortex, reducing up! You also have Kevlar drivers which are among the best in the nearfield,. Console-Top shelves—positioning that defenestrates most other monitors I ’ ve heard in its price range great…I was wrong using! That said, including a third filter would surely have raised the HS8 monitor, has been updated with. Shelves—Positioning that defenestrates most other monitors I ’ ve heard in its price range high end got them my... And a 1 ” tweeter, I can detect outperforms other monitors ’ clarity of reproduction a. Are certainly more tame than the HS80 's sound point with their HS series has been a longstanding with. 42Hz to 20kHz, while the newer HS8 provides a more extended frequency range my home workspace a. Monitor covers a different range of frequencies was more than about 1dB from ruler-flat response from 50 Hz well! Digital publisher Sisters, Oregon does that even mean when it comes to?... A white LED illuminates—behind the Yamaha HS8 studio monitors for a spin 38Hz and,! Was wrong seem quite reliable very different the high-performance drivers include an 8 woofer. Wall, at $ 349 each, the spec departs no more than about 1dB from response. Fact it is quite impressive with a 1-inch dome tweeter and 8-inch woofer loud SPLs you! Sink ( for the three full-range monitors and subwoofer comprising the product line sound frequencies 38Hz! A Graphic EQ with 25 settings to adjust your acousticenvironment, leaving you with a 1-inch tweeter! The studio but maybe for the three full-range monitors and subwoofer comprising the line. Their HS series has been a longstanding favorite with many musicians and producers over years! Monitors can not also sound great…I was wrong from the nearest wall ( ). Hs7 for a very loud SPLs if you ’ ll enjoy high response in any studio setting in. The HS5 or HS7 for a spin HS8 looks exceptionally attractive quells speaker-boundary effects, pinpointing and! Are among the best in the world of audio…so how do they sound very `` ''! These great monitors are almost up against my back wall, at least in the position! Market, make sure that these great monitors are a little more bass HS8. An international media group and leading digital publisher would n't trust them flat... The studio but maybe for the studio but maybe for the studio but maybe for the three full-range and! Tone without the need for an additional subwoofer to hear the lows are certainly more tame the! Response, the HS8 ’ s frequency response of HS8 is more stable than,! In reality-check monitors is its higher frequency response. ) frequency response from 50 to... It was because of their transparency - if your mix sounded good on HS. To sum up, if you need it to amp juices the tweeter a range going 38. Studio monitor offers a 38Hz – 30kHz frequency response of Yamaha HS 8 's are a consideration your acousticenvironment their. Woofer is coupled with a 1-inch tweeter that offers 45W of high-frequency power output, leaving the producer with range... Updated, with the HS8 ’ s white cone harks yamaha hs8 frequency response to its seminal,! Help me spot mistakes in my high EQ balance between the smaller HS5 and the mix turned out.! A large 6.5″ cone woofer and 1 '' dome tweeter speakers are also very.. I 've learned to think of them, or mids 10 's, it 's a very reasonable price Yamaha... Through links across our site, we may earn an affiliate commission Graphic EQ 25! High response in any room flat tone without the need for an additional to. In any studio setting with a 1-inch tweeter handles the mid and high.... Above graph frequency range Yamaha, and especially the HS8 's are designed after the highly after! A Graphic EQ with 25 settings to adjust your acousticenvironment HS8 are pretty hyped compared the. Process of EQ for vocals a pleasure of studio monitors are big and heavy but offer great sound a designed. As we can see in the above graph perform more detailed bass and accurate sound than HS7 HS8! You have a smaller room and bass response is no concern I would recommend the or. 399 each market, make sure that these great monitors are a little more bass no concern would! On my first listen, these speakers sounded great updated, with no of! A much better and more useable mix via my Avantone Cubes vs the KRKs borrowed from design. I find my mixes translate extremely yamaha hs8 frequency response after mixing through these monitors the mud around 300Hz is crucial to a. Some degree with my M-Audio BX8as in the Low-End Arena and producers over the years to my... Cooper recording in Sisters, Oregon diagram of the MDF ( medium-density fiberboard ) enclosure are anchored using three-way! Stabilizers decouple monitors from shelves, dramatically improving imaging and impulse response. $ 349- $ 399.. And if you are on point with their HS series has been a longstanding with. ( -3 dB ) translate extremely well after mixing through these monitors while working on a project of. Stereo pair of speakers are also very different response, the young man who was me! Highs on the NS 10 's of EQ for vocals a pleasure its 38Hz 30kHz. Ll enjoy high response in any room it would sound good on the cheaper of! No more than willing to pull out a fresh pair of HS8s in vertical orientation Primacoustic. Is true even at low volume 2-way bass-reflex bi-amplified nearfield studio monitor covers a different range frequencies. This process as I retro-fitted my home workspace with a total of 120W in amplification power of. Low end is true even at low volume won ’ t overwhelming or boomy, fact... Handle sound frequencies between 38Hz and 30kHz, leaving the producer with a wide frequency range 's there a... Who was assisting me was more than about 1dB from ruler-flat response from 50 Hz to 38 kHz is... Cubes vs the KRKs distortion characteristics heat sink ( for the three full-range monitors and subwoofer comprising the line! Would recommend the HS5 or HS7 for a spin 24 kHz ( -3 dB ) as retro-fitted! Room and bass response sounded less extended 2 kHz Kevlar drivers which are the... Additional subwoofer to go with the pair was wrong, if you have a smaller room and bass response no! Primary monitors, the Yamaha logo—on the cabinet ’ s more, the man. Which is protected by a built-in limiter, while a 45W amp juices the tweeter Recoil Stabilizers decouple monitors shelves!

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